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Item #: DUF0281
Danish Mid-Century teak serving cabinet / china hutch with a rectangular lower cabinet with two sliding doors supporting, a two shelf upper china cabinet with sliding glass doors, resting on four tapered teak legs. (BØRGE MOGENSEN).
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Børge Mogensen Danish Mid-Century Teak Serving Cabinet / China Hutch
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Danish Mid-Century teak serving cabinet / china hutch with a rectangular lower cabinet with two sliding doors supporting, a two shelf upper china cabinet with sliding glass doors, resting on four tapered teak legs. (BØRGE MOGENSEN)
Sku: DUF0281 Ships From: New York, NY Creator: Børge Mogensen
Width: 59.0" Height: 56.5" Depth : 18.0"
Style: Mid-Century Materials & Techniques: Glass, teak, wood Category: Cabinets & Case Goods, Dining Room Good; Wear consistent with age and use
Børge Mogensen (1914-1972) was a renowned Danish furniture designer and architect, known for his functional and practical approach to design. He played a significant role in shaping the development of Danish modernism and contributed greatly to the field of furniture and decorative arts. Born on April 13, 1914, in Aalborg, Denmark, Mogensen showed an early interest in craftsmanship and design. He studied furniture design at the Danish School of Arts and Crafts in Copenhagen, where he later became a professor. During his studies, he was influenced by the teachings of renowned architect Kaare Klint, who emphasized the importance of functionality and simplicity in design. After completing his education, Mogensen worked for various design firms, including FDB Read Full Bio
Børge Mogensen (1914-1972) was a renowned Danish furniture designer and architect, known for his functional and practical approach to design. He played a significant role in shaping the development of Danish modernism and contributed greatly to the field of furniture and decorative arts. Born on April 13, 1914, in Aalborg, Denmark, Mogensen showed an early interest in craftsmanship and design. He studied furniture design at the Danish School of Arts and Crafts in Copenhagen, where he later became a professor. During his studies, he was influenced by the teachings of renowned architect Kaare Klint, who emphasized the importance of functionality and simplicity in design. After completing his education, Mogensen worked for various design firms, including FDB (Fællesforeningen for Danmarks Brugsforeninger), where he played a pivotal role in the development of affordable and functional furniture for the masses. He believed that furniture should be accessible to everyone and designed with the needs of the user in mind. Mogensen's designs often featured clean lines, solid construction, and a focus on practicality. He drew inspiration from traditional Danish craftsmanship and incorporated elements of traditional joinery techniques into his work. His designs were characterized by their understated elegance and timeless appeal. One of Mogensen's most iconic designs is the Spanish Chair, created in 1958. This design showcased his ability to combine comfort, functionality, and aesthetic beauty. The Spanish Chair featured a solid oak frame with leather upholstery, inspired by traditional Spanish seating. It remains a sought-after piece of furniture to this day. Throughout his career, Mogensen collaborated with various Danish manufacturers, including Fredericia Furniture and Karl Andersson & Söner. His designs encompassed a wide range of furniture, including chairs, sofas, tables, and storage units. His work was highly regarded for its craftsmanship and attention to detail. Børge Mogensen's contributions to the field of furniture and decorative arts were recognized and celebrated both nationally and internationally. His designs have been exhibited in museums and galleries worldwide, and many of his pieces are still in production today. His legacy as a designer and architect continues to inspire contemporary furniture designers and enthusiasts alike. Børge Mogensen passed away on October 5, 1972, leaving behind a rich body of work that continues to be cherished and admired by design enthusiasts around the world. His commitment to functional and accessible design has left an indelible mark on the world of furniture and decorative arts
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