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Item #: AGO002
French Louis XV style (circa 1880) transitional style gilt bronze mounted kingwood & satinwood 3 drawer commode with floral inlaid design and a fleur de peche marble top (attributed to MAISON KRIEGER).
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French Louis XV Style Transitional Style Commode with Marble Top
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French Louis XV style (circa 1880) transitional style gilt bronze mounted kingwood & satinwood 3 drawer commode with floral inlaid design and a fleur de peche marble top (attributed to MAISON KRIEGER)
Sku: AGO002 Ships From: New York, NY Creator: Maison Krieger
Width: 56.5" Height: 39.0" Depth : 24.5"
Style: French Materials & Techniques: Marble, wood, bronze, kingwood, satinwood, inlaid Category: Tables, Cabinets & Case Goods, Dining Room
Maison Krieger was a renowned French furniture manufacturer and design firm, active during the late 19th and early 20th centuries. Founded by Alfred Krieger in Paris in 1826, the company quickly gained recognition for its exceptional craftsmanship and innovative designs. Under the leadership of Alfred Krieger, Maison Krieger became known for producing high-quality furniture pieces that showcased exquisite detailing and luxurious materials. The firm specialized in creating furniture in the Neoclassical and Louis XVI styles, often incorporating richly carved wood, gilded accents, and intricate marquetry. As the business flourished, Maison Krieger expanded its operations and established a strong reputation both in France and internationally. The company participated Read Full Bio
Maison Krieger was a renowned French furniture manufacturer and design firm, active during the late 19th and early 20th centuries. Founded by Alfred Krieger in Paris in 1826, the company quickly gained recognition for its exceptional craftsmanship and innovative designs. Under the leadership of Alfred Krieger, Maison Krieger became known for producing high-quality furniture pieces that showcased exquisite detailing and luxurious materials. The firm specialized in creating furniture in the Neoclassical and Louis XVI styles, often incorporating richly carved wood, gilded accents, and intricate marquetry. As the business flourished, Maison Krieger expanded its operations and established a strong reputation both in France and internationally. The company participated in various international exhibitions, including the Exposition Universelle in Paris in 1855 and the Exposition Universelle in Vienna in 1873, where their creations were highly praised. In the late 19th century, Maison Krieger embraced the emerging Art Nouveau movement, incorporating organic forms and decorative motifs into their designs. This shift allowed them to stay at the forefront of the evolving design trends of the time. The firm's success continued into the early 20th century, even as tastes and styles changed. Maison Krieger adapted to the growing popularity of the Art Deco movement, creating furniture pieces that combined geometric shapes, luxurious materials, and innovative construction techniques. Maison Krieger's furniture was sought after by the elite and wealthy clientele of the time, including aristocrats, industrialists, and prominent figures in society. Their creations adorned grand residences, palaces, and public buildings across Europe and beyond. Throughout its existence, Maison Krieger maintained a commitment to exceptional craftsmanship and artistic expression. The company collaborated with renowned designers and artists of the era, including Louis Majorelle and Émile Gallé, further enhancing the quality and artistic merit of their furniture. Unfortunately, the outbreak of World War I and the subsequent economic downturn had a significant impact on Maison Krieger's operations. The company struggled to maintain its pre-war success and eventually ceased production in the early 1920s. Despite its closure, Maison Krieger's legacy as a leading furniture manufacturer and design firm remains intact. Their creations continue to be highly sought after by collectors and enthusiasts, showcasing the enduring appeal of their exquisite craftsmanship and timeless designs.
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